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Mark Nepo: Authentic Expression is Heart-Based

“All my work is about devotion to the messy, magnificent human journey”

—Mark Nepo

Every day, we learn. We take in more of the new. And yet, we can only respond to situations based on what we know already. We rely on the old.

Mark Nepo seems to be asking about the space between. What does it mean to grow and change with grace? What does it mean to have faith in that process? And what does this have to do with writing and expression?

We are constantly tasked to face the unknown using tools that may have only worked for us in the past (and that is freaking scary).

I believe that asking questions is elemental to human nature. But, it is impossible to truly know any of the answers.

For Mark, there is no one right way forward. There is no way out of fear. There is only a sensibility that can be adopted: that is, the willingness to listen. 

In other words, there are no objectives. There are no end products. The “answer” is in letting go of resistance to what we know, have, and are.

That way, the invisible can make itself known.

WITNESSING

“How do we talk about the things that matter that you really can’t see?”

—Mark Nepo

The ephemeral connection between ourselves and the world of essence exists within our hearts. With this practice—this practice of inner trust, perhaps even surrender—we can begin to gesture at expressing the unsayable.

What’s clear about Mark Nepo is that he is first and foremost a writer. However, his ideas can be applied to any form of expression.

To bear witness in writing, Mark advises giving full attention to whatever is in front of you, then describing it in as much detail as possible. It’s important not to make it seem magnificent or assign it “a bunch of meaning.”

Don’t evaluate it.

We are the observers and not yet the translators.

There is another part to it. Look inward. Feel what is moving through you at that moment. “Paint” that feeling with words. Don’t judge. Don’t bother with meaning. This disposition is inherently freeing. 

In this state (and I fall in and out of it even as I write this), reality moves up to our eyes like a mirror. We can look at it and hear it, be part of it.

THE INVISIBLE WORLD

“You can’t see light except for what it illuminates. All the forces that hold us and support us are invisible”

—Mark Nepo

We name things all the time. We have to. It keeps chaos at bay.

But, naming things tends to keep us separate from them. That is this and I am this and you are there and I am here.

In his Insights at the Edge episode with Tami, Mark mentions that we are accustomed to listening in this way.

We immediately assign names, places, spaces, reasons, meaning and significance to everything we see and feel. We judge and assume (partly because it is efficient; partly because we are so used to doing it).

This is in stark contrast to the “essence of wholehearted presence, however and whenever that appears.”

IMMERSION

“The truth is, I barely understand half of what comes through me. The other half leads me”

—Mark Nepo

Immersion is a different kind of listening.

Rather than naming, one engages in a mutual conversation with the world. Discovery and creation unite as the byproduct of participation in oneness.

For Mark, immersion is a way to stop resisting our naturalness and be… whatever it is we were meant to be, as humans.

When he talks about “the things that matter,” what he seems to mean is the invisible world, “that which holds us together.” In immersion, we have the chance to interact with the invisible source of our unity.

Like the fiery and untouchable sun from which our individual experiences emanate.

WHOLEHEARTEDNESS

“It’s a gift that we can’t reach what we’re trying to say or what we see, because of all that it gives us”

—Mark Nepo

In his interview, Mark says to Tami about art-making, “What matters more is our wholeheartedness than whether we do it well.”

Tami’s response struck me. “I notice, as you offer that answer, there’s a part of me that really softens.”

Creation can be a meeting place. Rather than prescribing, you meet something somewhere, and then you embrace whatever happens. You accept what is present—and in return, you are accepted just as you are.

Wholeheartedness: letting go of expectation for the sake of the unsayable.

SELF-EXPRESSION

“Just because I write it doesn’t mean that I have the meaning of it all”

—Mark Nepo

As a writing teacher, I often tell my students that if they’re stuck, they may not be empty of ideas. In fact, they may be too full.

Creating space for the heart allows the bubbles to rise up. Like attracts like. We see what we see.

“If you’re not quite there, go back to the heart of whatever the expression is about, and get closer, and get stiller, and put your defenses down, and get closer. … Go back and have a more open heart, and see what comes then.”

Sometimes, it’s unpleasant.

Sometimes, it’s utterly nonsensical.

Poetry, as one possible example of this art, has long emptied itself of pragmatic purpose and precise meaning for the sake of beauty and potentiality.

You may end up with something that you don’t understand for years. You may just take that thing out later and realize what you meant. Authentic expression is not a product. It’s a message from you to you, from the universe to the universe.

And it is always miraculous.

Coming Awake to Your Projections and Loving Yourself

Coming Awake Loving Yourself Header Image

When I was in my twenties, I noticed something odd.

Hanging out with my more conservative friends often meant that I’d be called out for my hippie tendencies. What was more, I found myself being swept along by the current of their opinion; I felt like a hippie around them. Because of that, I wound up falling into more “hippie-like” behavior.

With my more bohemian friends, though, I was referred to as The Conservative. And with them, I felt and acted more conventional. It was simply easy to fulfill their expectations. “What gives?” I thought. “I’ve been the same person this whole time!”

I wanted so much for everyone to just see me. What a painful and lonely feeling.

I wanted so much for everyone to just see me.

This phenomenon—being mistakenly and reductively typecast­—wasn’t just happening with my friends. It was happening with my husband. It was happening with my family members. And, it was happening within my own mind.

This kind of thing can make knowing and loving yourself a bit confusing.

WHAT IS PROJECTION?

Over time, I’ve come to realize that humans are constantly projecting. People I don’t know very well, my closest friends, my family members, co-workers… everybody does it. This can include assumptions, expectations, stereotypes, attributes, simplifications, unrealistic positives and negatives, and so on.

Have you ever noticed something like that happening to you?

Perhaps, as a woman, you’ve been treated like you’re not as smart or capable as you actually are. Maybe you’ve been feared as a man, seen as more aggressive than you actually are.

Perhaps someone treated you as a doormat when you’re not. Maybe someone thought you had more patience or expertise than you do. It’s possible and common to experience different—even opposite—projections coming from different people.

I’m uncomfortable with negative projections, but I’m uncomfortable with the positive ones, too. Because neither are the real me. At least, not what I believe to be the real me. And they certainly don’t include the whole picture.

Another thing: I’ve noticed that when someone makes a strong projection on me, no matter what I do, I just seem to confirm what they’re already projecting.

Through it all, I still just want to be seen.

By now I’m thinking of that famous saying, “Everyone’s crazy but thee and me. And sometimes I wonder about thee!” We’re thinking it’s everyone else who’s projecting like mad. Um, how about you and me?

Yuck. Is there a way out of this?

COMING AWAKE IN WESTERN THOUGHT

Coming Awake Loving Yourself Western

Let’s start with a look at how some in the West work with projection.

Psychoanalyst and spiritual explorer Carl Jung (1875-1961) had some very helpful things to say on this. He explored the idea that we all have some version of all characteristics and characters—both positive and negative—floating around inside of us, somewhere. And, for one reason or another, there are some we aren’t able to see in ourselves.

As our personalities form, we take some of those characters and consciously identify with them: I’m a savior/warrior. I’m the class cut-up. I’m a geek. I’m a bad boy. I’m the nurturing father. I’m the dependable one.

The qualities we’ve set out in the sunshine, for all others to see, get the chance to develop nicely. How lovely for them. But what about all of the other qualities and characters that we aren’t claiming with our conscious mind?

They’re underground—in the basement.

The ones we really don’t want to claim, we do our best to keep in that dank, dark basement.

Instead of getting a chance to develop and mature, our unclaimed characteristics just kind of… fester. They get frustrated and funky. And trust me—they don’t stay obediently in the basement forever.

COMMUNICATING WITH OUR UNCONSCIOUS

We’re the last to be conscious of our own unconscious. There’s a bumper sticker for you! 

Jung popularized the concepts of dream interpretation and something called active imagination to try to coax our unclaimed natures into our conscious mind.

I was lucky enough to go to a Jungian Analyst who, borrowing from Fritz Perls’ Gestalt work, had me sit in another chair and become some disowned part of myself. I then went back and forth between the two chairs, having a conversation.

I found this approach extremely clarifying and helpful. I immediately tried it out with a client who had a terrible procrastination problem.

I had her go back and forth between two chairs: one was like her older sister, whom she saw as overbearing, and the other was like her more childish self. The two had a rousing debate over what she should do with her weekend—party or study. Each of them passionately insisted they had her best interests at heart. They were both right.

Then, I had her sit in the middle and be the peacemaker. She got her dissonant selves to forge a deal to alternate between partying and studying.

All of this was a revelation to her. She had identified only with the fun-loving gal. Then, in desperate moments, her other side would come out of the basement and become a crazed slavedriver. Through this conversation, she found that she could make a clear plan to have a balanced, happy weekend that didn’t jeopardize either her happiness or her grade point average. And it expanded her identity, her sense of herself. Her view of her older sister changed, too.

COMMUNICATING WITH OUR LOVED ONES

Here’s another idea. It goes something like this: We admit that we’re all projecting on each other all the time, and we’re each the last to know we’re doing it.

Usually, the projectee knows way sooner than the projector. So let’s make a deal: If you gently tell me what you’re perceiving (hopefully with specific examples, because I’ll probably be clueless), I’ll do the same for you.

We both give each other permission to do this. We both learn how to do it with skill and kindness.

Note that this approach works for both parties. The projector can let us know what they’re seeing; the projectee can share what they think the projector might be inaccurately (or incompletely, and certainly unintentionally) projecting onto them. And vice versa.

Imagine if, alongside doing the inner work, we all helped one another, too. We might get better and better at knowing ourselves—both the good and bad—and begin to take back our natures as a simple consequence of self-love and acceptance.

COMING AWAKE IN EASTERN THOUGHT

Coming Awake Loving Yourself EasternThe array of Tibetan practices offer a myriad of profound tools. These help us take our characters out of the basement and bring them into their fullest, most highly developed forms.

There are, for example, the One Hundred Peaceful and Wrathful Deities, as well as practices involving various enlightened masters. Each is an image of an archetype—a facet or principle of reality. Being principles of reality, these archetypes are all everywhere, including in each of us.

An archetype is like one of those snowflake stencils many of us created as kids by making little cuts in a piece of paper. You spray paint through it and when you take it away, voilá, a snowflake you can make again and again.

Once you use the stencil, you just see the painted snowflake. Jungians like to use the metaphor of a magnet hidden under a piece of paper that has iron filings on it. As you move the hidden magnet, it draws the filings into different shapes. We see only the shapes of the filings, not the magnet.

COMMUNICATING WITH ARCHETYPES: THE GREAT MOTHER

Let’s take the Great Mother archetype. 

In Tibetan practice, both men and women practice Green Tara. They invoke that principle from outside, and evoke it from the inside.

Since we have trouble relating to the pure unseen principle/archetype, we use image (a beautiful green lady), archetypal sound (mantra), and even smell (incense).

Coming Awake Green Tara

Image courtesy of Osel Shen Phen Ling: www.fpmt-osel.org.

We all tend to have internal conversations and dramas with people. But in this case, the setup for our connection with Green Tara is perfectly designed to give us a much more profound, powerful, and enlightened experience than, say, imagining calling our earthly mom on the phone.

Though our mom is just a human being, with faults and foibles, Green Tara is the image that naturally evokes the perfect facet of enlightened mind that is the essence of the mother principle.

The classic progression is that we consciously project Tara out from our hearts, where Tibetan Buddhists believe our mind mainly resides. We project her above us, seeing her clearly in our mind’s eye. 

We do this by inviting her, welcoming her, asking her to sit, offering her water, flowers. Then we say the mantra associated with her: Om tarey tuttarey turey soha.

Often we then imagine her descending into us, dissolving into us, becoming indistinguishable from us. We emerge as Tara ourselves, grounding ever more strongly in the owning of that pure archetype.

COMMUNICATING WITH ARCHETYPES: HAYAGRIVA

Let’s take Fred, for an imaginary example. He thinks of himself as a Mr. Nice Guy.

This means that when people want to walk all over him, he doesn’t have the wherewithal, in his conscious array of characters, to assert himself. His Tough Guy or Warrior is in the basement. It’s been lurking there all his life, and isn’t very presentable, as a result.

Whenever Fred gets cornered he suddenly bites the person’s head off … then regrets it later, and may not even get what he needs. Martha Beck refers to this as an “exploding doormat.”

Fred might do well to practice Hayagriva, a fierce, enlightened being of a class known as protectors. They can act with great ferocity, but always with wisdom and compassion.

Coming Awake Hayagriva 2

Magdalena Rehova / Alamy Stock Photo

If Fred were to inhabit Hayagriva the way we talked of inhabiting/owning Tara, he would find his way to the pure essence of that murky, funky character who popped out when he exploded. Once he’d spent time owning and inhabiting Hayagriva Fred is much more likely to skillfully, kindly, and firmly ward off people walking all over him.

Whether it’s a peaceful one like Tara or a more wrathful one like Hayagriva, we must fully own the archetype. It has gone from something we can’t see or feel, to a pure presence that we fully identify with.

COMMUNICATING WITH OURSELVES

Over time, as we get used to owning these presences consciously, we have little need to project it onto someone else. And in owning this purer form, we can often bring forth those qualities in everyday life. They’re much more at our fingertips.

In Tibetan Buddhist deity practice, the goal is to take us from our usual, banal and confused state, to dak-nang, or pure vision—seeing things as they really are.

Imagine if everyone did such well-honed practices, on a lot of different deities. I believe we would then be able to take the various characters out of our basements, develop them, and “play” them in various moments in life.

Playing with a full deck, you might say!

A CULTURE COMING AWAKE

Coming Awake Ocean Culture

Reality is a vast, perfect ocean that loves to create ever-changing waves and play with them. This ocean is bursting, overflowing with love and joy. But most of us waves don’t see it that way.

The essential intent of the Buddha is to use practices to wake ourselves from the dream/trance we find ourselves in. “Buddha” means one who is awake.

We don’t realize that we’re not just a wave, but made of ocean. We are all both wave and ocean.

COMMUNICATING WITH LIKE-MINDED PEOPLE

Imagine if a critical mass of people became fluent in these skills and capacities, bringing us closer together in camaraderie rather than causing us to build walls of protection and projection against each other.

Imagine less of a need to blame others for our own issues. Less excuses to act snotty and selfish and ignorant and even rageful. How different this world would be.

I believe this is something we all must do to solve the problems that now threaten our happiness and our very existence. We must progress from the swarm of projections, both societal and personal, which cause such pain, to really seeing each other.

Then we could all relax our defenses—because those projections feel terrible—and we could work together to solve the dire problems we’re all actually facing together.

Beyond even that, we’d find that human relations can be much simpler than we thought! They can feel deeply connected, warm, and delicious. We can be seen in our full light.

* * *

In our Namchak Learning Circles, we encourage people to awaken to their unconscious selves. We offer a weekend training in working on projections, in which we learn not only about projections but about how to work compassionately and skillfully to talk about them with each other. As you have probably gathered, that last part is important!

ABOUT THE AUTHOR

Lama Tsomo Author Photo

Lama Tsomo is a spiritual teacher, author and co-founder of the Namchak Foundation and Namchak Retreat Ranch

Born Linda Pritzker, Lama Tsomo followed a path of spiritual inquiry and study that ultimately led to her ordination as one of the few female American lamas in Tibetan Buddhism. 

Today, she works to share the teachings of the Namchak tradition, a branch of Tibetan Buddhism. Utilizing her psychology background, Lama Tsomo works to make it easier for Westerners to bridge contemplative practice and modern life. She is particularly passionate about reaching young people and supporting those working for positive social change. 

Fascinated by science from an early age, Lama Tsomo’s teachings often reference the science behind meditation and the proven neurological impact. She holds an M.A. in Counseling Psychology and is the author of Why Is the Dalai Lama Always Smiling? An Introduction and Guide to Tibetan Buddhist Practice and co-author of The Lotus & the Rose: A Conversation Between Tibetan Buddhism & Mystical Christianity.

How to Be Seen, Really Seen, in Front of a Camera

Feeling vulnerable, exposed, or uncomfortable in front of a camera is perfectly normal. While we might pose confidently, it isn’t uncommon to be wondering what others will see about us. Why are we so frightened?

Underneath our fear of being criticized, we are afraid of truly emanating from our cores—of sharing our brilliant and unique essence.

The problem is that we don’t know how to be seen.

WHAT ARE YOU HIDING?

The first thought that comes to my mind when considering this question is the well-known passage from Marianne Williamson entitled, “Our Deepest Fear.”’

“Our deepest fear is not that we are inadequate.
 Our deepest fear is that we are powerful beyond measure. It is our light, not our darkness, that most frightens us. We ask ourselves, Who am I to be brilliant, gorgeous, handsome, talented and fabulous? Actually, who are you not to be?
 You are a child of God.
 Your playing small does not serve the world.
 There is nothing enlightened about shrinking 
so that other people won’t feel insecure around you. We are all meant to shine, as children do.
 We were born to make manifest the glory of God within us. It is not just in some; it is in everyone.
 And, as we let our own light shine, we consciously give other people permission to do the same.
 As we are liberated from our fear,
 our presence automatically liberates others.”

—Marianne Williamson

Here’s what I take from this: When we let our own unique light shine, we can begin to understand our own truth.

The act of expression gives others permission to release their own inhibitions. Whether I’m in a session with someone, or out in the world, I am constantly reminded of this.


WHAT DOES IT MEAN TO BE SEEN?

Whether we’re pointing it at a person, a landscape or a building, a camera can reveal the truth. So—isn’t it time that you allow the camera to be your friend? What if the camera’s deepest desire is for you to be fully seen as the magnificent, radiant, talented and perfect person that you really are?

Perhaps you’d begin to regard the camera as an opportunity to be seen. Whether it’s by an intimate partner, our boss or the checkout person at the supermarket, being seen can make an entire day brighter. We all wish to be authentically recognized for our uniqueness; we all wish to be loved, just the way that we are.

Imagine how fearless you’d feel if, in every moment and throughout every situation in your life, you knew without a shadow of a doubt that every person you met fully saw your unique gifts, saw your wholeness. The floodgates would open and you’d be unstoppable. There would be no limiting thoughts in your awareness because you’d know that everyone truly sees and supports your grandest expression!

When we are present in our true spirit, nothing can break it. And what better way to practice that than by doing so in front of a camera? Stare at the lens and imagine it’s  reflecting love, praise and devotion back to you. Imagine it’s the inside of your heart, winking at you. That may sound like a stretch, but it sure beats resisting the process every time. Take the exciting opportunity to be seen—really seen—in front of the camera.

ABOUT THE AUTHOR: CARL STUDNA



Author Photo Carl Studna How to Be Seen

Carl Studna is a world-renowned photographer and videographer, inspirational
speaker, teacher and multi-award-winning au
thor of the books CLICK! Choosing Love…One Frame at a Time and Evolution of Loving.

Over the past 30 years, Carl has been assigned all over the world to shoot CD and album covers, book covers, and other publicity platforms for musicians, teachers and authors such as Paul McCartney, George Harrison, James Brown, Jefferson Airplane, Eric Clapton, Elton John, Genesis, Kenny Loggins, His Holiness the Dalai Lama, Deepak Chopra, Tom Robbins, Ram Dass, Marianne Williamson and John Bradshaw, and his work has appeared in many prominent magazines, including Rolling Stone, Musician, Time and USA Today.

Carl received his Bachelor of Arts degree in Expressive Arts from Sonoma State University and his Masters degree in Spiritual Psychology from the University of Santa Monica, and is also a member of the esteemed Transformational Leadership Council, a group of leaders of personal and organizational transformation who support one another in their contributions to the world.

Click here to join a free video event with Carl Studna!

 

5 Neurosculpting Practices for Lasting Brain Change

Incorporating these five best neuroplasticity practices can open the doors to a more graceful, resilient, and lasting experience of change.

What Are Nocturnal Meditations?

Many people know about meditating during the day, but few are aware of the “nocturnal meditations.” They’ve been around for thousands of years, tucked away under the blanket of darkness. Until recently, the nocturnal practices have been secret, deemed too subtle for the West. But with the mindfulness revolution in full swing and meditation now in the public domain, these “dark” practices are finally coming to light in the modern world. What surprises most people is how deep and vast these nocturnal meditations are—and how applicable to daily life.

The practices start with lucid dreaming, which is when you wake up to the fact that you’re dreaming while still remaining in the dream. Once it was scientifically proven in 1975, lucid dreaming has gained traction in the West. Initially, lucid dreaming isn’t much of a meditation. Most people use it to indulge their fantasies—to fulfill their wildest dreams in the privacy of their own mind. At this entry level, lucid dreaming is the ultimate in home entertainment, where you become the writer, producer, director, and main actor in an Academy Award-winning production of your own mind.

But the higher levels of lucid dreaming have extraordinary psychological and even physical benefits. You can transform nightmares, rehearse things, resolve interpersonal issues, even improve athletic performance. Neuroscience has shown that you can use your mind to change your brain (neuroplasticity), and modern dream research continues to show that you can use your dreaming mind to enhance a host of daily psychological and physical activities. Lucid dreaming at this higher level is like going to night school.

With some proficiency in lucid dreaming you can progress into dream yoga, which is when dreams are used for spiritual transformation. While lucid dreaming is largely about self-fulfillment, dream yoga is all about self-transcendence. It’s been around for thousands of years, and the Buddha (the “awakened one”) was really the ultimate lucid dreamer.

Dream yoga, like lucid dreaming, progresses from beginning to advanced stages. A beginning yogi starts by addressing the question, “What are dreams made of?” They’re made of your mind. So, by working with your dreams at this refined level, you’re working to transform your mind. One early stage of dream yoga involves transforming the objects in your dreams, like changing a dream flower to a dream chair. In so doing, one discovers the malleable nature of mind and the truth of the saying, “Blessed are the flexible, for they are never bent out of shape.” This is the “yoga” or “stretching” part of dream yoga, which develops increased pliability of mind.

One amazing quality of both lucid dreaming and dream yoga is that the benefits of what you do in your dreams don’t stay tucked into the nighttime mind. By changing a flower into a chair in your dreams (not as easy as it sounds!), you realize you can change anger into compassion in your life. In other words, your emotional states are not as solid as you think. They’re essentially as solid as a dream, and therefore as workable.

At higher levels of dream yoga, you use the “example dream” or “double delusion” of the nighttime dream to wake you up from the “real dream” or “primary delusion” of daily life—which is precisely what the Buddha did. You eventually come to the shattering conclusion that this is a dream. When seen properly—when you’re lucid to it—your waking reality is no more concrete than a dream. So a dream yogi lives by the maxim, “This is a dream; I am free; I can change.” It’s a liberating wake-up call, with profound implications for all of life.

For most people, lucid dreaming and dream yoga are enough. But for those wanting to go to “graduate school,” one can advance into sleep yoga (related to yoga nidra in Hinduism). As incredible as it may sound, this is when you learn how to become lucid in deep, dreamless sleep. In Buddhism this is called “luminosity yoga” and adheres to the teaching that fundamentally there is no darkness within—only light unseen. Sleep yoga turns on this nightlight, a luminosity so radiant that it eventually illuminates even the day. Scientists are currently trying to prove this outrageous claim with advanced meditators and dream yogis.

“Lucidity” is a code word for awareness. So, by working with any of these three practices, you’re working to cultivate greater awareness. And what doesn’t benefit with more awareness? All three of these practices engage the principle of bi-directionality, which is all about opening a two-way street between the daytime and nighttime mind. What we do during the day affects how we sleep and dream; and what we do when we sleep and dream affects how we live during the day. By becoming lucid to our dreams and to dreamless sleep, we’re secretly becoming more lucid or aware of our daily lives. So lucid dreaming leads to lucid living.

As fruitful as these three practices are, there is one final step for those wanting to take the deepest dive. With some proficiency in sleep yoga, one can advance into bardo yoga (“gap” yoga), which is when the darkness of sleep is used to prepare for the darkness of death. In Greek mythology, Thanatos (the god of death) and Hypnos (the god of sleep) aren’t just brothers—they’re twins. Death and sleep are intimately related. In Buddhism, death is referred to as “the dream at the end of time.” So bardo yoga, which is a Tibetan contribution, engages the tenet that dreamless means formless, and formless means deathless. Bardo yoga therefore introduces you to your formless/deathless nature—to who you really are. It points out the deepest part of you that doesn’t get old, sick, or die. Bardo yoga is a “dead end” practice that points out eternal life.

We spend a third of our lives in sleep. If you live to be 90, you’ve slept for 30 years. Imagine what you could do if you had even a fraction of that time. We spend 25% of our sleep time in dreams, which adds up to about a month a year. Think of what you could do if you added a month to each year! That’s real “overtime.”

The nocturnal meditations are cutting-edge practices. Neuroscientist Matthew Walker writes, “It is possible that lucid dreamers represent the next iteration in Homo sapiens’ evolution.” How evolutionary does that make lucid sleepers, let alone lucid “die-ers”? Do you want to be the first one on your block to take the lead in evolution? Then open your eyes to the dark, engage the nocturnal meditations, and discover the leading light within.

Andrew Holecek, What are Nocturnal Meditations
Andrew Holecek

Andrew Holecek is the author of Dream Yoga: Illuminating Your Life Through Lucid Dreaming and the Tibetan Yogas of Sleep. He is also the founder of Night Club, an online platform that explores the nocturnal meditations and the science that supports them. Learn more about Night Club!

A Personal Message from Ram Dass and Mirabai Bush

Dying is the most important thing you do in your life. It’s the great frontier for every one of us. And loving is the art of living as a preparation for dying. Allowing ourselves to dissolve into the ocean of love is not just about leaving this body; it is also the route to Oneness and unity with our own inner being, the soul, while we are still here. If you know how to live and to love, you know how to die.

In this book, I talk about what I am learning about death and dying from others and from my getting closer to it. And I talk about what I have learned from being at the bedsides of friends who have died, including how to grieve and how to plan for your own death as a spiritual ceremony. I talk about our fear of death and ways to go beyond that fear so we can be identified with our spiritual selves and live more meaningful lives.

I invited my friend Mirabai Bush into a series of conversations. Mirabai and I share the bond of being together with our guru, Neem Karoli Baba, and over the years, we have taught and traveled and written together. I thought she’d be able to frame the conversations for you, the reader, and also draw in some of what I’ve said in the past about dying, while keeping my current words fresh and immediate. And I wanted to discuss her thoughts on dying as well.

From Mirabai Bush . . .

This is a book about loving and dying and friendship. It is a conversation between old friends, in which we talk about love and death in an intimate setting. I hope we’ve captured Ram Dass’s wisdom, expressed in a new way now that he is 86 and close to death himself.

“It’s about sadhana, spiritual practice, and I want both our voices to be in it,” he said. “I want it to be a conversation.”

“But I need to ask a basic question,” I said.

He nodded.

“Why are we writing this? Who are we writing it for?”

“I want to help readers get rid of their fear of death,” he answered. “So they can be,” a long pause, “identified with their spiritual selves and be ready to die. If you know how to live, you know how to die. This will be a link between my teachings about Maharaj-ji and about death. And people who are living who can see that they are dying each day, that each day is change and dying is the biggest change—it could help them live more meaningful lives.”

After a while, Ram Dass continued, “I’m also thinking about people whose loved one has died, who may live with grief, or guilt and regret, and I’m thinking about those beings who are sitting bedside with the dying . . . this could help them prepare for that role. And people who are dying, who could read this book to help prepare them for dying more consciously, more peacefully, being in the moment.”

Okay, I thought. This will be a good book to write. We’ll be exploring the edge of what we know.

From Ram Dass . . .

I have had aphasia since my stroke 20 years ago. Aphasia impairs a person’s ability to process language but does not affect intelligence. Sometimes I pause for long periods to find a word or figure out how to express a thought in just the right way. I like to say that the stroke gave me the gift of silence.

When I thought about the best way to write a book on dying while having aphasia, I knew it would be important to express these ideas and experiences clearly, subtly, truthfully. I realized that these days I have been expressing what I know best when I am in dialogue with another person—someone who is comfortable with silence and listens for new ideas as they arise. Why not create a book that way?

I like that this format for the book draws you into the room with us, into this conversation that we all need to have. I invite you to watch this video of us talking together, to give you a sense of how our conversations unfolded.

 

https://youtube.com/watch?v=3Tq7kLnYqIs%3Fautoplay%3D1%26utm_source%3Dbronto%26utm_medium%3Demail%26utm_campaign%3DR180831-Dass-Bush%26utm_content%3DA%2BPersonal%2BMessage%2Bfrom%2BRam%2BDass%2Band%2BMirabai%2BBush

 

With love,

Ram Dass and Mirabai Bush

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