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Healing Past-Life Fears

Tami Simon speaks with Ainslie MacLeod, a psychic who, for more than a decade, has collaborated with spirit guides to gain insight into significant past-life experiences. He’s the author of two Sounds True books including The Instruction, and most recently, The Transformation. In addition to his books, Ainslie can be heard in a three-part online course on Healing Your Past-Life Fears, beginning May 3, 2010, at 8 p.m. Eastern Time at SoundsTrue.com. Ainslie discusses how we can recognize, work with, and resolve past-life fears as well as how we can connect with our own spirit guides. (48 minutes)

Snatam Kaur: Original Light

Snatam Kaur is an American-born, internationally renowned kirtan singer raised in the Sikh and kundalini yoga tradition. Known for her blends of ancient chant and modern instrumentation, Snatam also teaches meditation and yoga. With Sounds True, she has published the book-and-CD set Original Light: The Morning Practice of Kundalini Yoga. In this episode of Insights at the Edge, Tami Simon and Snatam discuss the roots of her spiritual practices and the meaning of the Aquarian Sadhana, which is one of the most important aspects of Original Light. They speak on the tradition of Japji meditation and why working with the spine is an essential part of kundalini yoga. Finally, Snatam shares a pair of potent chants for expressing and celebrating one’s own sense of kundalini. (71 minutes)

Charlie Gilkey: Start Finishing Your Best Work

Charlie Gilkey is an entrepreneur and productivity expert who founded the company Productive Flourishing. With Sounds True, he has published the new book Start Finishing: How to Go from Idea to Done. In this episode of Insights at the Edge, Tami Simon speaks with Charlie about crafting our best work—and more importantly, how to complete it. They discuss the process of deciding what your best work actually is, as well as how ideas grow into successful projects. Charlie explains why a project needs to be divided into “chunks” in order to really move forward, emphasizing that tangible benchmarks are imperative for actually finishing the work. Finally, Tami and Charlie talk about “creative constipation” and the courage it takes to pour one’s whole self into a beloved endeavor. (69 minutes)

How to Keep Your Mind from Wandering in a Yoga or Medi...

Keep Your Mind from Wandering in a Yoga or Meditation Practice - Sounds True Blog Main Image

PHASE 1

Mind wandering is associated with the DMN (default mode network)—areas of the brain that are active when the mind is in its default state of rest. In this phase, the mind seems cluttered with thoughts and feelings all scrambling to be at the center of attention. The meditator may remain distracted by what seems like an endless barrage for some period of time. The brain remains in this state especially when it is not engaged in a specific task.

PHASE 2

Becoming aware of mind wandering occurs when we mobilize a conscious mind-body practice. This phase involves purposefully placing our attention in order to steer our practice, and this effort reveals itself as activation in the insula. As noted previously, the insula is characteristic of interoceptive awareness and self-awareness. In this way, cognizance of the mind’s habitual wandering is a form of metacognition—thinking about thinking—that sets the stage for neuroplasticity. Just to arrive at this stage of meditation is quite an accomplishment, as most people never cultivate any sustained awareness of how their mind meanders from one topic to the next. Practitioners should recognize the value of this second phase because it can take years to arrive here with any regularity. Without knowing this, beginners often become discouraged.

PHASE 3

Shifting out of wandering is like flexing a muscle or changing gears in a car. This phase involves the executive function of the brain, recruiting regions like the dorsolateral prefrontal cortex (dlPFC) and the posterior parietal cortex. The practitioner arrives at this phase through consciously and consistently bringing their attention out of unfocused wandering. Much like training a muscle, we go through high and low points of practice, and—as in the previous stage—it is easy to feel discouraged. Unfortunately, meditators can judge themselves harshly at this stage, lose interest, or give up entirely if they do not recognize just how important this phase is in training the neural muscles of concentration.

PHASE 4

Focusing means that the practitioner has gained some meditative stability and can remain for some time in a concentrative state. This achievement shows up as sustained activation in the dlPFC. At this phase, progressive layers of our mind reveal themselves—both within a practice session and “off the cushion” over time. When the mind eventually starts to wander again, the cycle begins anew, and the practitioner passes through the phases once more to regain focus. With practice, the amount of effort, time, and repetition it takes to go through the cycles decreases, with less time occupied in the earlier phases and more time spent in a focused state.

Excerpted from Yoga & Psyche: Integrating the Paths of Yoga and Psychology for Healing, Transformation, and Joy by Mariana Caplan.

 

Keep Your Mind from Wandering in a Yoga or Meditation Practice - Yoga and Psyche

Keep Your Mind from Wandering in a Yoga or Meditation Practice - Mariana Caplan Image

 

Mariana Caplan, PhD, MFT, E-RTY 500, is a psychotherapist, yoga teacher, and author of eight books in the fields of psychology, spirituality, and yoga. She has been teaching workshops and trainings online, in yoga studios and universities, and at major retreat centers throughout the world since 1997. She is the founder of Yoga & Psyche International, an organization created to integrate the fields of yoga and psychology globally, and lives in Fairfax, California. Learn more at realspirituality.com and yogaandpsyche.com.

 

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Do you know what you want? … with Adyashanti

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Adyashanti

One of the most important questions we can ask ourselves on the spiritual journey, according to Adyashanti, is: What is it that I really want? Spending some time sitting quietly and contemplating this question – allowing it to take us into the depths of being – is a practice that each of us can do to learn more about what it is that is really inspiring and driving us at the deepest levels. Many of the world’s great wisdom traditions suggest a similar inquiry, and consider this question the foundation of any authentic spiritual life.

So, friends, what is it that you really want? When all is said and done, what is your heart calling out for, where are you being pulled, what is pushing you, what will this life sweetest, most precious, rare human life be organized around?

We shot this video with our dear friend Adya at The Wake Up Festival last year, where Adya opened our gathering in the gorgeous Rocky Mountains. We’re really happy that Adya will be joining us again this year, and hope to see many of you there.

Express Your Creativity to Jump-Start Vitality

Have you ever felt like you lost a part of yourself?

Sometimes it happens. Life changes, and we change with it. It could be a move, job change, marriage, kids, taking care of elders, or any sort of transition. Sometimes it’s not even a difficult transition that makes us lose a part of ourselves but a decision we make to keep on with some things and release the rest. And yet, we might regret leaving that part of us behind. Often, the part of ourselves we leave behind is a creative part of ourselves that we might think, in today’s world, is less important or less valued.

This certainly happened to me—for about fifteen years. Basically, I lost my voice. As much as I loved singing, for reasons I could not fully understand, I knew part of my path was to continue in my study of healing. Unfortunately, when I chose graduate school, I also decided there was no point in singing anymore if I was not “serious.” Not only did I relinquish my opportunity to prepare for a professional career in classical western opera singing—I simply stopped singing altogether. And by making that black-and-white decision, based more in perfectionism than in feeding my heart and soul, I lost a huge part of myself for more than fifteen years. Singing was a gift I was given to bring me back to my own creative bliss—but I had been blind to its purpose for most of my life. And a part of me literally felt like I had died.

I’ll bet many of you can relate. External circumstances seem to shift the tides of our lives so that sometimes we lose parts of ourselves society doesn’t necessarily directly reward. If we enjoyed art, dance, music, or other areas of creative expression when we were young, unless we pursued these passions as professional artists, we might have lost sight of them over the years. We often think we have to leave creative pursuits behind in our process of “adulting”—making money, providing for a family, and pursuing a career. However, losing that creative juice comes with real costs—we can end up losing our ability to innovate, our fluidity, and a great deal of our joy.

Thankfully, our creativity is never really lost. In my case, I found the joy of singing again spontaneously while singing to my kids when they were young. When they got a bit older, I decided to reclaim the fun of singing for myself. Out of the blue, I created a Guns N’ Roses cover band called Nuns N Moses. I searched for musicians and convinced them (all straight males) to dress as nuns while I dressed as Moses for part of the show, changing lyrics and singing songs from Moses’s perspective. It was hilarious fun while paying homage to one of my favorite childhood rock ‘n’ roll bands with excellent musicians. Soon after, I was asked to front an Iron Maiden tribute band called Up the Irons. The music was amazing, and the band was a hit, with thousands of fans and a busy gig schedule at the best venues in Southern California. I found myself blissfully singing my heart out—and I had more energy than I ever had in my life.

I share this personal story with you for two reasons. One is to remind you that the parts of you that you think are forgotten actually live on inside of you—particularly the creative parts of you. These are the parts that long for authentic expression, in whatever ways they are able to manifest. They do not die, and when we give them voice, we actually provide healing for ourselves—an ability to bring us to a greater sense of self-awareness, self expression, connection, and ultimately transcendence. The second reason is to challenge you to consider ways you can step out into a more authentic expression of yourself—even if it feels risky to you. The best thing you can do is to break the false idol of yourself. Creative expression gives you the tools to connect with yourself beyond your cultural and social conditioning and to connect with others in true heart and soul expression. Nothing can be more freeing and more healing.

PUTTING CREATIVITY INTO PRACTICE

Fostering Our Flow

How do we begin to jump-start our experience of creativity and its links to flow, improved mood, and vitality to augment our own deeper, more authentic expression of ourselves and our healing? Following is an easy guide:

First, recognize that you are a creative being. The more you identify yourself as a creator, the easier it will be for you to create in different settings, even at work. Even the scientific data suggest this.

Start simple. Remember that no one defines what is creative except you. Is there a particular creative activity that draws you to it? It does not matter whether you have prior experience with

  1. It does not need to be a specific art form, either (putting creative outfits together or improvising a meal without a recipe are examples). Pick something easy for you to engage in at least once a week for six weeks, and do something that you can easily fit into your day or week. (Singing in the car or dancing around the house for fifteen minutes a day counts!)

Go beyond judgment. Suspend your and others’ judgment, and move beyond your discomfort. Believe me, I know what it’s like when the kids beg you to stop singing in the car! You will encounter a whole slew of judgmental statements, most of them likely from yourself. As Nike loves to say, “Just Do It.” (In my case, when encountering my children’s complaints, I keep singing, but I do it more softly so as not to irritate their eardrums beyond belief.) When feeling uncomfortable, do it anyway and tap into the bodily, energetic feeling that you have when you are being creative. That will help you break through those negative self-judgments and clear those vrittis, or mind disturbances!

Observe, persist, and enjoy. Notice how you feel after engaging in your creative act. Be your own scientist. Explore how you feel after the first time, and then the second time, and so on. How did the rest of your day go after you allowed yourself some time for creativity? Keep at it, and even try your hand at something new. You might feel more comfortable working with an art form you have learned in the past. However, remember that your goal is not perfection—it is connecting with the energy of creativity. There is something to be said for examining an art form with “beginner’s mind.” Keep honing your creativity by focusing on both things you know and things you don’t know, and see what insights come to you as a result.

author photo

Shamini Jain, PhD, is the founder and CEO of the Consciousness and Healing Initiative (CHI), a nonprofit collaborative that leads humanity to heal ourselves. Dr. Jain is an Ivy League-trained clinical psychologist and an award-winning research scientist in psychoneuroimmunology (PNI) and integrative medicine. She is a sought-after speaker and teacher in mind-body-spirit healing. Dr. Jain is also adjunct faculty at UC San Diego. For more, visit shaminijain.com.

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