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3 Ways to Practice You This Holiday Season

Practicing being true to ourselves is a delicate dance of knowing ourselves, then respecting and serving that truth. This requires cultivation of both internal stability and external ease. How can we do this when we are surrounded by cultural chaos as well as our own family dramas? Here are three ways to Practice You this holiday season.

Write It Down

Set a timer for five to ten minutes; write who you are and where you’re going. Note every label and defining element of who you perceive yourself to be, and then note your vision for yourself next year, in five years and in ten years. Coming to know yourself will help you be steady when confronted, soft when you’d normally get agitated, and more kind at just the right times.

Sit With It

Nothing changes in an instant, and we can continuously and simply ask to be shown what the next step might be. If prayer is when we speak to our idea of a higher power, meditation is a moment to listen for healing, becomes a respite, a break in the day, a time to heal ourselves. Sit with it. Sit with what you learn when you listen a few minutes more.

Move More Slowly

One of the simplest ways I practice being myself is to simply slow down. I’ve learned this from every moment of deep loss, grief, or heartache–if i move more slowly, I won’t break. I can see what’s useful, what’s nourishing, what’s holy about this moment. Slowing down for myself helps me refine what I’m practicing and choosing in my life.

 

Elena Brower is a Mama, author of Practice You, yoga instructor, designer, and artist based in New York City. Devoted to cultivating meditation as our most healing habit, she’s created potent online coursework and produced On Meditation, a film featuring personal portraits of renowned meditators. For more, visit elenabrower.com.

4 Ways to Cultivate Creativity This Holiday Season

4 ways to cultivate creativity this holiday season

In the craziness of the holiday season, it can be challenging to cultivate personal creativity—but when we think of creativity in terms of a gift, our hearts open to great and beautiful possibilities. Here are four ways you can cultivate creativity this holiday season. 

Write a series of haiku you can print on paper, ceramics, cloth or food

Spend some time reading and reminding yourself of the art of haiku. Practice writing a few of your own on paper first. Make it a ritual; bring presence and mindfulness and reflect on the immediacy of your experience here and now—and maybe touch of some sentiments around the holidays.

Transfer your haiku to a holiday ornament you can hang from a tree or. . .

Have fun with this practice! Invite your friends and family members to engage in this practice and have fun exploring different ways you can share your haiku on an ornament.

Write a haiku you can eat

Haiku holiday cookies anyone? Use icing as your ink. Explore different ways you might “write” your haiku using food.

Haiku writing with objects and documented in photographs

You can create your haiku with sticks, string, stones, sand, any material you want, and then document your poem by photographing it. Your last step is to create it so that you can give it away as a gift!

Happy holidays! 

Albert Flynn DeSilver is an internationally published poet, memoirist, novelist, speaker, and workshop leader. He served as Marin County’s first Poet Laureate from 2008–2010, and his work has appeared in more than 100 literary journals worldwide, including ZYZZYVA, New American Writing, and Exquisite Corpse. Albert is the author of Writing as a Path to AwakeningBeamish Boy: A Memoir, Letters to Early Street, and Walking Tooth & Cloud. He has taught workshops at The Esalen Institute, The Omega Institute, Spirit Rock Meditation Center, and literary conferences nationally. visit albertflynndesilver.com.

Mark Nepo: Authentic Expression is Heart-Based

“All my work is about devotion to the messy, magnificent human journey”

—Mark Nepo

Every day, we learn. We take in more of the new. And yet, we can only respond to situations based on what we know already. We rely on the old.

Mark Nepo seems to be asking about the space between. What does it mean to grow and change with grace? What does it mean to have faith in that process? And what does this have to do with writing and expression?

We are constantly tasked to face the unknown using tools that may have only worked for us in the past (and that is freaking scary).

I believe that asking questions is elemental to human nature. But, it is impossible to truly know any of the answers.

For Mark, there is no one right way forward. There is no way out of fear. There is only a sensibility that can be adopted: that is, the willingness to listen. 

In other words, there are no objectives. There are no end products. The “answer” is in letting go of resistance to what we know, have, and are.

That way, the invisible can make itself known.

WITNESSING

“How do we talk about the things that matter that you really can’t see?”

—Mark Nepo

The ephemeral connection between ourselves and the world of essence exists within our hearts. With this practice—this practice of inner trust, perhaps even surrender—we can begin to gesture at expressing the unsayable.

What’s clear about Mark Nepo is that he is first and foremost a writer. However, his ideas can be applied to any form of expression.

To bear witness in writing, Mark advises giving full attention to whatever is in front of you, then describing it in as much detail as possible. It’s important not to make it seem magnificent or assign it “a bunch of meaning.”

Don’t evaluate it.

We are the observers and not yet the translators.

There is another part to it. Look inward. Feel what is moving through you at that moment. “Paint” that feeling with words. Don’t judge. Don’t bother with meaning. This disposition is inherently freeing. 

In this state (and I fall in and out of it even as I write this), reality moves up to our eyes like a mirror. We can look at it and hear it, be part of it.

THE INVISIBLE WORLD

“You can’t see light except for what it illuminates. All the forces that hold us and support us are invisible”

—Mark Nepo

We name things all the time. We have to. It keeps chaos at bay.

But, naming things tends to keep us separate from them. That is this and I am this and you are there and I am here.

In his Insights at the Edge episode with Tami, Mark mentions that we are accustomed to listening in this way.

We immediately assign names, places, spaces, reasons, meaning and significance to everything we see and feel. We judge and assume (partly because it is efficient; partly because we are so used to doing it).

This is in stark contrast to the “essence of wholehearted presence, however and whenever that appears.”

IMMERSION

“The truth is, I barely understand half of what comes through me. The other half leads me”

—Mark Nepo

Immersion is a different kind of listening.

Rather than naming, one engages in a mutual conversation with the world. Discovery and creation unite as the byproduct of participation in oneness.

For Mark, immersion is a way to stop resisting our naturalness and be… whatever it is we were meant to be, as humans.

When he talks about “the things that matter,” what he seems to mean is the invisible world, “that which holds us together.” In immersion, we have the chance to interact with the invisible source of our unity.

Like the fiery and untouchable sun from which our individual experiences emanate.

WHOLEHEARTEDNESS

“It’s a gift that we can’t reach what we’re trying to say or what we see, because of all that it gives us”

—Mark Nepo

In his interview, Mark says to Tami about art-making, “What matters more is our wholeheartedness than whether we do it well.”

Tami’s response struck me. “I notice, as you offer that answer, there’s a part of me that really softens.”

Creation can be a meeting place. Rather than prescribing, you meet something somewhere, and then you embrace whatever happens. You accept what is present—and in return, you are accepted just as you are.

Wholeheartedness: letting go of expectation for the sake of the unsayable.

SELF-EXPRESSION

“Just because I write it doesn’t mean that I have the meaning of it all”

—Mark Nepo

As a writing teacher, I often tell my students that if they’re stuck, they may not be empty of ideas. In fact, they may be too full.

Creating space for the heart allows the bubbles to rise up. Like attracts like. We see what we see.

“If you’re not quite there, go back to the heart of whatever the expression is about, and get closer, and get stiller, and put your defenses down, and get closer. … Go back and have a more open heart, and see what comes then.”

Sometimes, it’s unpleasant.

Sometimes, it’s utterly nonsensical.

Poetry, as one possible example of this art, has long emptied itself of pragmatic purpose and precise meaning for the sake of beauty and potentiality.

You may end up with something that you don’t understand for years. You may just take that thing out later and realize what you meant. Authentic expression is not a product. It’s a message from you to you, from the universe to the universe.

And it is always miraculous.

Coming Awake to Your Projections and Loving Yourself

Coming Awake Loving Yourself Header Image

When I was in my twenties, I noticed something odd.

Hanging out with my more conservative friends often meant that I’d be called out for my hippie tendencies. What was more, I found myself being swept along by the current of their opinion; I felt like a hippie around them. Because of that, I wound up falling into more “hippie-like” behavior.

With my more bohemian friends, though, I was referred to as The Conservative. And with them, I felt and acted more conventional. It was simply easy to fulfill their expectations. “What gives?” I thought. “I’ve been the same person this whole time!”

I wanted so much for everyone to just see me. What a painful and lonely feeling.

I wanted so much for everyone to just see me.

This phenomenon—being mistakenly and reductively typecast­—wasn’t just happening with my friends. It was happening with my husband. It was happening with my family members. And, it was happening within my own mind.

This kind of thing can make knowing and loving yourself a bit confusing.

WHAT IS PROJECTION?

Over time, I’ve come to realize that humans are constantly projecting. People I don’t know very well, my closest friends, my family members, co-workers… everybody does it. This can include assumptions, expectations, stereotypes, attributes, simplifications, unrealistic positives and negatives, and so on.

Have you ever noticed something like that happening to you?

Perhaps, as a woman, you’ve been treated like you’re not as smart or capable as you actually are. Maybe you’ve been feared as a man, seen as more aggressive than you actually are.

Perhaps someone treated you as a doormat when you’re not. Maybe someone thought you had more patience or expertise than you do. It’s possible and common to experience different—even opposite—projections coming from different people.

I’m uncomfortable with negative projections, but I’m uncomfortable with the positive ones, too. Because neither are the real me. At least, not what I believe to be the real me. And they certainly don’t include the whole picture.

Another thing: I’ve noticed that when someone makes a strong projection on me, no matter what I do, I just seem to confirm what they’re already projecting.

Through it all, I still just want to be seen.

By now I’m thinking of that famous saying, “Everyone’s crazy but thee and me. And sometimes I wonder about thee!” We’re thinking it’s everyone else who’s projecting like mad. Um, how about you and me?

Yuck. Is there a way out of this?

COMING AWAKE IN WESTERN THOUGHT

Coming Awake Loving Yourself Western

Let’s start with a look at how some in the West work with projection.

Psychoanalyst and spiritual explorer Carl Jung (1875-1961) had some very helpful things to say on this. He explored the idea that we all have some version of all characteristics and characters—both positive and negative—floating around inside of us, somewhere. And, for one reason or another, there are some we aren’t able to see in ourselves.

As our personalities form, we take some of those characters and consciously identify with them: I’m a savior/warrior. I’m the class cut-up. I’m a geek. I’m a bad boy. I’m the nurturing father. I’m the dependable one.

The qualities we’ve set out in the sunshine, for all others to see, get the chance to develop nicely. How lovely for them. But what about all of the other qualities and characters that we aren’t claiming with our conscious mind?

They’re underground—in the basement.

The ones we really don’t want to claim, we do our best to keep in that dank, dark basement.

Instead of getting a chance to develop and mature, our unclaimed characteristics just kind of… fester. They get frustrated and funky. And trust me—they don’t stay obediently in the basement forever.

COMMUNICATING WITH OUR UNCONSCIOUS

We’re the last to be conscious of our own unconscious. There’s a bumper sticker for you! 

Jung popularized the concepts of dream interpretation and something called active imagination to try to coax our unclaimed natures into our conscious mind.

I was lucky enough to go to a Jungian Analyst who, borrowing from Fritz Perls’ Gestalt work, had me sit in another chair and become some disowned part of myself. I then went back and forth between the two chairs, having a conversation.

I found this approach extremely clarifying and helpful. I immediately tried it out with a client who had a terrible procrastination problem.

I had her go back and forth between two chairs: one was like her older sister, whom she saw as overbearing, and the other was like her more childish self. The two had a rousing debate over what she should do with her weekend—party or study. Each of them passionately insisted they had her best interests at heart. They were both right.

Then, I had her sit in the middle and be the peacemaker. She got her dissonant selves to forge a deal to alternate between partying and studying.

All of this was a revelation to her. She had identified only with the fun-loving gal. Then, in desperate moments, her other side would come out of the basement and become a crazed slavedriver. Through this conversation, she found that she could make a clear plan to have a balanced, happy weekend that didn’t jeopardize either her happiness or her grade point average. And it expanded her identity, her sense of herself. Her view of her older sister changed, too.

COMMUNICATING WITH OUR LOVED ONES

Here’s another idea. It goes something like this: We admit that we’re all projecting on each other all the time, and we’re each the last to know we’re doing it.

Usually, the projectee knows way sooner than the projector. So let’s make a deal: If you gently tell me what you’re perceiving (hopefully with specific examples, because I’ll probably be clueless), I’ll do the same for you.

We both give each other permission to do this. We both learn how to do it with skill and kindness.

Note that this approach works for both parties. The projector can let us know what they’re seeing; the projectee can share what they think the projector might be inaccurately (or incompletely, and certainly unintentionally) projecting onto them. And vice versa.

Imagine if, alongside doing the inner work, we all helped one another, too. We might get better and better at knowing ourselves—both the good and bad—and begin to take back our natures as a simple consequence of self-love and acceptance.

COMING AWAKE IN EASTERN THOUGHT

Coming Awake Loving Yourself EasternThe array of Tibetan practices offer a myriad of profound tools. These help us take our characters out of the basement and bring them into their fullest, most highly developed forms.

There are, for example, the One Hundred Peaceful and Wrathful Deities, as well as practices involving various enlightened masters. Each is an image of an archetype—a facet or principle of reality. Being principles of reality, these archetypes are all everywhere, including in each of us.

An archetype is like one of those snowflake stencils many of us created as kids by making little cuts in a piece of paper. You spray paint through it and when you take it away, voilá, a snowflake you can make again and again.

Once you use the stencil, you just see the painted snowflake. Jungians like to use the metaphor of a magnet hidden under a piece of paper that has iron filings on it. As you move the hidden magnet, it draws the filings into different shapes. We see only the shapes of the filings, not the magnet.

COMMUNICATING WITH ARCHETYPES: THE GREAT MOTHER

Let’s take the Great Mother archetype. 

In Tibetan practice, both men and women practice Green Tara. They invoke that principle from outside, and evoke it from the inside.

Since we have trouble relating to the pure unseen principle/archetype, we use image (a beautiful green lady), archetypal sound (mantra), and even smell (incense).

Coming Awake Green Tara

Image courtesy of Osel Shen Phen Ling: www.fpmt-osel.org.

We all tend to have internal conversations and dramas with people. But in this case, the setup for our connection with Green Tara is perfectly designed to give us a much more profound, powerful, and enlightened experience than, say, imagining calling our earthly mom on the phone.

Though our mom is just a human being, with faults and foibles, Green Tara is the image that naturally evokes the perfect facet of enlightened mind that is the essence of the mother principle.

The classic progression is that we consciously project Tara out from our hearts, where Tibetan Buddhists believe our mind mainly resides. We project her above us, seeing her clearly in our mind’s eye. 

We do this by inviting her, welcoming her, asking her to sit, offering her water, flowers. Then we say the mantra associated with her: Om tarey tuttarey turey soha.

Often we then imagine her descending into us, dissolving into us, becoming indistinguishable from us. We emerge as Tara ourselves, grounding ever more strongly in the owning of that pure archetype.

COMMUNICATING WITH ARCHETYPES: HAYAGRIVA

Let’s take Fred, for an imaginary example. He thinks of himself as a Mr. Nice Guy.

This means that when people want to walk all over him, he doesn’t have the wherewithal, in his conscious array of characters, to assert himself. His Tough Guy or Warrior is in the basement. It’s been lurking there all his life, and isn’t very presentable, as a result.

Whenever Fred gets cornered he suddenly bites the person’s head off … then regrets it later, and may not even get what he needs. Martha Beck refers to this as an “exploding doormat.”

Fred might do well to practice Hayagriva, a fierce, enlightened being of a class known as protectors. They can act with great ferocity, but always with wisdom and compassion.

Coming Awake Hayagriva 2

Magdalena Rehova / Alamy Stock Photo

If Fred were to inhabit Hayagriva the way we talked of inhabiting/owning Tara, he would find his way to the pure essence of that murky, funky character who popped out when he exploded. Once he’d spent time owning and inhabiting Hayagriva Fred is much more likely to skillfully, kindly, and firmly ward off people walking all over him.

Whether it’s a peaceful one like Tara or a more wrathful one like Hayagriva, we must fully own the archetype. It has gone from something we can’t see or feel, to a pure presence that we fully identify with.

COMMUNICATING WITH OURSELVES

Over time, as we get used to owning these presences consciously, we have little need to project it onto someone else. And in owning this purer form, we can often bring forth those qualities in everyday life. They’re much more at our fingertips.

In Tibetan Buddhist deity practice, the goal is to take us from our usual, banal and confused state, to dak-nang, or pure vision—seeing things as they really are.

Imagine if everyone did such well-honed practices, on a lot of different deities. I believe we would then be able to take the various characters out of our basements, develop them, and “play” them in various moments in life.

Playing with a full deck, you might say!

A CULTURE COMING AWAKE

Coming Awake Ocean Culture

Reality is a vast, perfect ocean that loves to create ever-changing waves and play with them. This ocean is bursting, overflowing with love and joy. But most of us waves don’t see it that way.

The essential intent of the Buddha is to use practices to wake ourselves from the dream/trance we find ourselves in. “Buddha” means one who is awake.

We don’t realize that we’re not just a wave, but made of ocean. We are all both wave and ocean.

COMMUNICATING WITH LIKE-MINDED PEOPLE

Imagine if a critical mass of people became fluent in these skills and capacities, bringing us closer together in camaraderie rather than causing us to build walls of protection and projection against each other.

Imagine less of a need to blame others for our own issues. Less excuses to act snotty and selfish and ignorant and even rageful. How different this world would be.

I believe this is something we all must do to solve the problems that now threaten our happiness and our very existence. We must progress from the swarm of projections, both societal and personal, which cause such pain, to really seeing each other.

Then we could all relax our defenses—because those projections feel terrible—and we could work together to solve the dire problems we’re all actually facing together.

Beyond even that, we’d find that human relations can be much simpler than we thought! They can feel deeply connected, warm, and delicious. We can be seen in our full light.

* * *

In our Namchak Learning Circles, we encourage people to awaken to their unconscious selves. We offer a weekend training in working on projections, in which we learn not only about projections but about how to work compassionately and skillfully to talk about them with each other. As you have probably gathered, that last part is important!

ABOUT THE AUTHOR

Lama Tsomo Author Photo

Lama Tsomo is a spiritual teacher, author and co-founder of the Namchak Foundation and Namchak Retreat Ranch

Born Linda Pritzker, Lama Tsomo followed a path of spiritual inquiry and study that ultimately led to her ordination as one of the few female American lamas in Tibetan Buddhism. 

Today, she works to share the teachings of the Namchak tradition, a branch of Tibetan Buddhism. Utilizing her psychology background, Lama Tsomo works to make it easier for Westerners to bridge contemplative practice and modern life. She is particularly passionate about reaching young people and supporting those working for positive social change. 

Fascinated by science from an early age, Lama Tsomo’s teachings often reference the science behind meditation and the proven neurological impact. She holds an M.A. in Counseling Psychology and is the author of Why Is the Dalai Lama Always Smiling? An Introduction and Guide to Tibetan Buddhist Practice and co-author of The Lotus & the Rose: A Conversation Between Tibetan Buddhism & Mystical Christianity.

How to Be Seen, Really Seen, in Front of a Camera

Feeling vulnerable, exposed, or uncomfortable in front of a camera is perfectly normal. While we might pose confidently, it isn’t uncommon to be wondering what others will see about us. Why are we so frightened?

Underneath our fear of being criticized, we are afraid of truly emanating from our cores—of sharing our brilliant and unique essence.

The problem is that we don’t know how to be seen.

WHAT ARE YOU HIDING?

The first thought that comes to my mind when considering this question is the well-known passage from Marianne Williamson entitled, “Our Deepest Fear.”’

“Our deepest fear is not that we are inadequate.
 Our deepest fear is that we are powerful beyond measure. It is our light, not our darkness, that most frightens us. We ask ourselves, Who am I to be brilliant, gorgeous, handsome, talented and fabulous? Actually, who are you not to be?
 You are a child of God.
 Your playing small does not serve the world.
 There is nothing enlightened about shrinking 
so that other people won’t feel insecure around you. We are all meant to shine, as children do.
 We were born to make manifest the glory of God within us. It is not just in some; it is in everyone.
 And, as we let our own light shine, we consciously give other people permission to do the same.
 As we are liberated from our fear,
 our presence automatically liberates others.”

—Marianne Williamson

Here’s what I take from this: When we let our own unique light shine, we can begin to understand our own truth.

The act of expression gives others permission to release their own inhibitions. Whether I’m in a session with someone, or out in the world, I am constantly reminded of this.


WHAT DOES IT MEAN TO BE SEEN?

Whether we’re pointing it at a person, a landscape or a building, a camera can reveal the truth. So—isn’t it time that you allow the camera to be your friend? What if the camera’s deepest desire is for you to be fully seen as the magnificent, radiant, talented and perfect person that you really are?

Perhaps you’d begin to regard the camera as an opportunity to be seen. Whether it’s by an intimate partner, our boss or the checkout person at the supermarket, being seen can make an entire day brighter. We all wish to be authentically recognized for our uniqueness; we all wish to be loved, just the way that we are.

Imagine how fearless you’d feel if, in every moment and throughout every situation in your life, you knew without a shadow of a doubt that every person you met fully saw your unique gifts, saw your wholeness. The floodgates would open and you’d be unstoppable. There would be no limiting thoughts in your awareness because you’d know that everyone truly sees and supports your grandest expression!

When we are present in our true spirit, nothing can break it. And what better way to practice that than by doing so in front of a camera? Stare at the lens and imagine it’s  reflecting love, praise and devotion back to you. Imagine it’s the inside of your heart, winking at you. That may sound like a stretch, but it sure beats resisting the process every time. Take the exciting opportunity to be seen—really seen—in front of the camera.

ABOUT THE AUTHOR: CARL STUDNA



Author Photo Carl Studna How to Be Seen

Carl Studna is a world-renowned photographer and videographer, inspirational
speaker, teacher and multi-award-winning au
thor of the books CLICK! Choosing Love…One Frame at a Time and Evolution of Loving.

Over the past 30 years, Carl has been assigned all over the world to shoot CD and album covers, book covers, and other publicity platforms for musicians, teachers and authors such as Paul McCartney, George Harrison, James Brown, Jefferson Airplane, Eric Clapton, Elton John, Genesis, Kenny Loggins, His Holiness the Dalai Lama, Deepak Chopra, Tom Robbins, Ram Dass, Marianne Williamson and John Bradshaw, and his work has appeared in many prominent magazines, including Rolling Stone, Musician, Time and USA Today.

Carl received his Bachelor of Arts degree in Expressive Arts from Sonoma State University and his Masters degree in Spiritual Psychology from the University of Santa Monica, and is also a member of the esteemed Transformational Leadership Council, a group of leaders of personal and organizational transformation who support one another in their contributions to the world.

Click here to join a free video event with Carl Studna!

 

5 Neurosculpting Practices for Lasting Brain Change

Incorporating these five best neuroplasticity practices can open the doors to a more graceful, resilient, and lasting experience of change.

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