IT Team

The Basics of Natural Awareness 101: Broadening Attention

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There are three deliberate mental shifts you can make during classical mindfulness meditation that can help point you toward natural awareness: relaxing effort, broadening attention, and dropping objects.

If you have not read the first step yet, you can find Relaxing Effort on our blog.

Broadening Attention

Your attention can be very narrowly focused or broadly focused. It can also be somewhere in between. You might notice the differences because you naturally adjust the breadth of your attention in life all the time. You are driving your car, and you focus first on your dashboard, and then you automatically shift to a wider peripheral sense of the road in front of you. You are talking with a friend, and you focus on her face, then shift to her whole body, and then notice the room in which you both are sitting.

We can think of the mechanism of attention as being like a camera. Sometimes you use a telescopic lens in order to focus on something quite narrow—maybe taking a close-up of a flower, seeing the intricacies of the stem and petals in detail. Usually we take midrange photos—of our kids, friends at the game, or whatever the selfie du jour is—employing a lens that is not too narrowly focused, but open in a general way. The far end of the spectrum would be when we use a panoramic lens to take an elongated, comprehensive photo of, let’s say, the Grand Canyon.

When we meditate, we can apply a narrow or panoramic attention. An example of using a narrow focus would be attending primarily to your breath (or any single object of focus). The panoramic attention would be when our attention is wide open—when we notice many things going on or just have a general wide view. When, for example, we listen to sounds coming from all directions surrounding us, this is a panoramic attention, or wide focus.

We can even apply an attention in meditation that’s somewhere in between these two. A somewhere-in-between attention might be when a few things are going on and our attention can encompass them, either simultaneously or consecutively. Our lower back is achy, and we’re trying to attend to the pain. And then perhaps we move our attention to a global sense of our body or to a part of our body that feels okay at the moment (typically our hands or feet), so that we’re not overwhelmed by the pain. (This is a helpful recommendation if you’re experiencing pain in meditation.)

Broad, panoramic attention tends to be the type of attention present when we do natural awareness practice. Because most of us gravitate toward a focused attention both in meditation and in daily life, opening up panoramically can actually invite in natural awareness. It counteracts our usual forward-focus tendencies and allows our minds to rest and reset, kind of like a brain vacation.

But broad or panoramic attention does not equal natural awareness; instead, shifting into broad attention will point us in the direction of natural awareness. That’s why many of the glimpse practices in this book focus on broadening our attention. Sometimes as we practice broadening our attention, we find ourselves thoroughly and completely aware, which is close to how I defined natural awareness earlier in the book. And it is also possible to have natural awareness without noticing broadly.

Try broadening your attention right now.

Close your eyes if that is comfortable to you. Start by narrowing your attention to a single area of focus in your body—your abdomen, chest, or nostrils. Try to keep this narrow focus for a few minutes.

Now begin to listen to the sounds around you. Start with sounds nearby, but then listen with an expansive ear. How far away are the sounds you can hear? Listen to the sound that is farthest out. Try this approach to listening for a minute or two.

Now notice your whole body. Can you fully feel your body seated here? Relax and unclench your belly. Imagine you could expand that sense of your body, feeling your body moving out in all directions, including above and below. Try being aware of your expanded body for another minute.

Finally, open your eyes and let your gaze become peripheral—wide open, noticing the space around you. Let your eyes be soft, but take in an expansive view. Keep your stomach relaxed. Explore this expanded view for a few minutes, resting here, and then notice what happens to your awareness.

Continue reading the next step, Dropping Objects, or read the previous step Relaxing Effort.

This is excerpted from The Little Book of Being: Practices and Guidance for Uncovering Your Natural Awareness by Diana Winston.

 

Diana Winston headshot

Little Book of BeingDiana Winston is the director of Mindfulness Education at UCLA Semel Institute’s Mindful Awareness Research Center (MARC) and the coauthor, with Dr. Susan

Smalley, of Fully Present: The Science, Art, and Practice of Mindfulness. She is a well‑known teacher and speaker who brings mindful awareness practices to the general public to promote health and well‑being. Called by the LA Times “one of the nation’s best‑known teachers of mindfulness,” she has taught mindfulness since 1993 in a variety of settings, including hospitals, universities, corporations, nonprofits, schools in the US and Asia, and online. She developed the evidence‑based Mindful Awareness Practices (MAPS) curriculum and the Training in Mindfulness Facilitation, which trains mindfulness teachers worldwide.

Her work has been mentioned or she has been quoted in the New York TimesO, The Oprah Magazine; Newsweek; the Los Angeles TimesAllure; Women’s Health; and in a variety of magazines, books, and journalsShe is also the author of Wide Awake: A Buddhist Guide for Teens, the audio program Mindful Meditations, and has published numerous articles on mindfulness. Diana is a member of the Teacher’s Council at Spirit Rock Meditation Center in Northern California. She has been practicing mindfulness meditation since 1989, including a year as a Buddhist nun in Burma. Currently, Diana’s most challenging and rewarding practice involves trying to mindfully parent an eight‑year‑old. She lives in Los Angeles.

For more information, visit dianawinston.com and marc.ucla.edu.

Buy your copy of The Little Book of Being at your favorite bookseller!

Sounds True | Amazon | Barnes & Noble | Indiebound

 

 

 

 

 

 

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The Basics of Natural Awareness 101: Relaxing Effort

The Basics of Natural Awareness: Relaxing Effort Header Image

There are three deliberate mental shifts you can make during classical mindfulness meditation that can help point you toward natural awareness: relaxing effort, broadening attention, and dropping objects.

Relaxing Effort

Using effort in classical mindfulness meditation typically means working to bring our attention back to whatever is the present-moment experience. We rigorously and faithfully return our attention to our main focus, typically our breathing. The moment we notice we’ve gotten lost in thought, we deliberately redirect our attention back to our breathing. It can be very hard work. I’ve seen meditators covered in sweat, straining to be aware.

This type of overexertion in meditation is too extreme. In classical mindfulness meditation, we need to be balanced between effort that leads to clear seeing and too much effort that doesn’t really serve us. Some meditators experience a lot of self-judgment, believing that they’re not trying hard enough.

Classical mindfulness meditators typically report that focusing gets easier over time. They can stay aware of their breathing for extended periods, or they find that they return their attention to their breath more quickly when it wanders away. Some people call this ease effortless effort—an experience in our meditation practice where we are making an effort, but it doesn’t seem hard to do at all.

Relaxing effort to shift into natural awareness is a little different. It means that we rein in the tendency to try to put our attention on our breath or other objects, and instead we just be with the objects as they arise.

I think a common concern of many meditators is that if they stop trying, then nothing will happen. Meditators also worry that their mind will wander all over the place if they are not making any effort to do something with it. Well, just sitting down and not doing anything wouldn’t be natural awareness practice; it would be sitting down and doing nothing. So that’s not what we’re trying to do here. Dropping or relaxing effort is very different in that we are tuning in to the awareness that is already present, without trying hard to get there. We also don’t necessarily have a wandering mind because we relax effort on the heels of having worked hard to pay attention.

Think of shifting into natural awareness like riding a bicycle. Often we pedal really hard, but at a certain point, we stop pedaling and begin coasting. The bike stays upright, and we continue to head wherever we’re going, but we’re not working so hard. In fact, it’s usually quite exhilarating to coast on a bicycle. The coasting is dependent upon the earlier pedaling stage, just like effortlessness in meditation is dependent upon the effort you made earlier—particularly the effort to concentrate your mind.

So what does relaxing effort feel like in meditation? It feels like stopping the attempt to wrestle with your unruly mind, to bring it effortfully back to the present, and instead resting, relaxing, and exploring the awareness that is already present. It often feels like things are just happening on their own, and we’re witnessing them. It can feel immensely relaxing and joyful to stop the struggle. We may lose the effortlessness, and then it takes a bit of effort to return to it (such as deliberately returning our attention to our breath for a few moments—or, to return to our bicycle analogy, pedaling for a block or two), but for the most part we are coasting, not pedaling. This relaxing of effort is one way to access a natural awareness.

Try it now:

Relaxing Effort Practice

Start your meditation session by closing your eyes, if you wish, and taking about ten minutes to develop focus and calm by rigorously paying attention to your breathing. When your attention wanders, bring it back to your breathing with regularity and precision.

After ten minutes, see if you can simply pause the effort you are making. Relax a bit (and that may include relaxing your body), and notice what is happening without you trying to be aware. Is awareness present? Are you naturally aware of what is happening in your body or mind, without deliberately placing your attention on the object? Can you sense the way awareness is happening, kind of on its own, and how you are present without having to work at it?

If you notice yourself getting lost in thoughts, then make an effort to come back to your breath for a while. But then stop making an effort again and see what happens.

Continue reading the next steps, Broadening Attention and Dropping Objects.

This is excerpted from The Little Book of Being: Practices and Guidance for Uncovering Your Natural Awareness by Diana Winston.

 

Little Book of Being

Diana Winston headshot

Diana Winston is the director of Mindfulness Education at UCLA Semel Institute’s Mindful Awareness Research Center (MARC) and the coauthor, with Dr. Susan

Smalley, of Fully Present: The Science, Art, and Practice of Mindfulness. She is a well‑known teacher and speaker who brings mindful awareness practices to the general public to promote health and well‑being. Called by the LA Times “one of the nation’s best‑known teachers of mindfulness,” she has taught mindfulness since 1993 in a variety of settings, including hospitals, universities, corporations, nonprofits, schools in the US and Asia, and online. She developed the evidence‑based Mindful Awareness Practices (MAPS) curriculum and the Training in Mindfulness Facilitation, which trains mindfulness teachers worldwide.

Her work has been mentioned or she has been quoted in the New York Times; O, The Oprah Magazine; Newsweek; the Los Angeles Times; Allure; Women’s Health; and in a variety of magazines, books, and journals. She is also the author of Wide Awake: A Buddhist Guide for Teens, the audio program Mindful Meditations, and has published numerous articles on mindfulness. Diana is a member of the Teacher’s Council at Spirit Rock Meditation Center in Northern California. She has been practicing mindfulness meditation since 1989, including a year as a Buddhist nun in Burma. Currently, Diana’s most challenging and rewarding practice involves trying to mindfully parent an eight‑year‑old. She lives in Los Angeles.

For more information, visit dianawinston.com and marc.ucla.edu.

Buy your copy of The Little Book of Being at your favorite bookseller!

Sounds True | Amazon | Barnes & Noble | Indiebound

 

 

 

 

 

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Coming Awake to Your Projections and Loving Yourself

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When I was in my twenties, I noticed something odd.

Hanging out with my more conservative friends often meant that I’d be called out for my hippie tendencies. What was more, I found myself being swept along by the current of their opinion; I felt like a hippie around them. Because of that, I wound up falling into more “hippie-like” behavior.

With my more bohemian friends, though, I was referred to as The Conservative. And with them, I felt and acted more conventional. It was simply easy to fulfill their expectations. “What gives?” I thought. “I’ve been the same person this whole time!”

I wanted so much for everyone to just see me. What a painful and lonely feeling.

I wanted so much for everyone to just see me.

This phenomenon—being mistakenly and reductively typecast­—wasn’t just happening with my friends. It was happening with my husband. It was happening with my family members. And, it was happening within my own mind.

This kind of thing can make knowing and loving yourself a bit confusing.

WHAT IS PROJECTION?

Over time, I’ve come to realize that humans are constantly projecting. People I don’t know very well, my closest friends, my family members, co-workers… everybody does it. This can include assumptions, expectations, stereotypes, attributes, simplifications, unrealistic positives and negatives, and so on.

Have you ever noticed something like that happening to you?

Perhaps, as a woman, you’ve been treated like you’re not as smart or capable as you actually are. Maybe you’ve been feared as a man, seen as more aggressive than you actually are.

Perhaps someone treated you as a doormat when you’re not. Maybe someone thought you had more patience or expertise than you do. It’s possible and common to experience different—even opposite—projections coming from different people.

I’m uncomfortable with negative projections, but I’m uncomfortable with the positive ones, too. Because neither are the real me. At least, not what I believe to be the real me. And they certainly don’t include the whole picture.

Another thing: I’ve noticed that when someone makes a strong projection on me, no matter what I do, I just seem to confirm what they’re already projecting.

Through it all, I still just want to be seen.

By now I’m thinking of that famous saying, “Everyone’s crazy but thee and me. And sometimes I wonder about thee!” We’re thinking it’s everyone else who’s projecting like mad. Um, how about you and me?

Yuck. Is there a way out of this?

COMING AWAKE IN WESTERN THOUGHT

Coming Awake Loving Yourself Western

Let’s start with a look at how some in the West work with projection.

Psychoanalyst and spiritual explorer Carl Jung (1875-1961) had some very helpful things to say on this. He explored the idea that we all have some version of all characteristics and characters—both positive and negative—floating around inside of us, somewhere. And, for one reason or another, there are some we aren’t able to see in ourselves.

As our personalities form, we take some of those characters and consciously identify with them: I’m a savior/warrior. I’m the class cut-up. I’m a geek. I’m a bad boy. I’m the nurturing father. I’m the dependable one.

The qualities we’ve set out in the sunshine, for all others to see, get the chance to develop nicely. How lovely for them. But what about all of the other qualities and characters that we aren’t claiming with our conscious mind?

They’re underground—in the basement.

The ones we really don’t want to claim, we do our best to keep in that dank, dark basement.

Instead of getting a chance to develop and mature, our unclaimed characteristics just kind of… fester. They get frustrated and funky. And trust me—they don’t stay obediently in the basement forever.

COMMUNICATING WITH OUR UNCONSCIOUS

We’re the last to be conscious of our own unconscious. There’s a bumper sticker for you! 

Jung popularized the concepts of dream interpretation and something called active imagination to try to coax our unclaimed natures into our conscious mind.

I was lucky enough to go to a Jungian Analyst who, borrowing from Fritz Perls’ Gestalt work, had me sit in another chair and become some disowned part of myself. I then went back and forth between the two chairs, having a conversation.

I found this approach extremely clarifying and helpful. I immediately tried it out with a client who had a terrible procrastination problem.

I had her go back and forth between two chairs: one was like her older sister, whom she saw as overbearing, and the other was like her more childish self. The two had a rousing debate over what she should do with her weekend—party or study. Each of them passionately insisted they had her best interests at heart. They were both right.

Then, I had her sit in the middle and be the peacemaker. She got her dissonant selves to forge a deal to alternate between partying and studying.

All of this was a revelation to her. She had identified only with the fun-loving gal. Then, in desperate moments, her other side would come out of the basement and become a crazed slavedriver. Through this conversation, she found that she could make a clear plan to have a balanced, happy weekend that didn’t jeopardize either her happiness or her grade point average. And it expanded her identity, her sense of herself. Her view of her older sister changed, too.

COMMUNICATING WITH OUR LOVED ONES

Here’s another idea. It goes something like this: We admit that we’re all projecting on each other all the time, and we’re each the last to know we’re doing it.

Usually, the projectee knows way sooner than the projector. So let’s make a deal: If you gently tell me what you’re perceiving (hopefully with specific examples, because I’ll probably be clueless), I’ll do the same for you.

We both give each other permission to do this. We both learn how to do it with skill and kindness.

Note that this approach works for both parties. The projector can let us know what they’re seeing; the projectee can share what they think the projector might be inaccurately (or incompletely, and certainly unintentionally) projecting onto them. And vice versa.

Imagine if, alongside doing the inner work, we all helped one another, too. We might get better and better at knowing ourselves—both the good and bad—and begin to take back our natures as a simple consequence of self-love and acceptance.

COMING AWAKE IN EASTERN THOUGHT

Coming Awake Loving Yourself EasternThe array of Tibetan practices offer a myriad of profound tools. These help us take our characters out of the basement and bring them into their fullest, most highly developed forms.

There are, for example, the One Hundred Peaceful and Wrathful Deities, as well as practices involving various enlightened masters. Each is an image of an archetype—a facet or principle of reality. Being principles of reality, these archetypes are all everywhere, including in each of us.

An archetype is like one of those snowflake stencils many of us created as kids by making little cuts in a piece of paper. You spray paint through it and when you take it away, voilá, a snowflake you can make again and again.

Once you use the stencil, you just see the painted snowflake. Jungians like to use the metaphor of a magnet hidden under a piece of paper that has iron filings on it. As you move the hidden magnet, it draws the filings into different shapes. We see only the shapes of the filings, not the magnet.

COMMUNICATING WITH ARCHETYPES: THE GREAT MOTHER

Let’s take the Great Mother archetype. 

In Tibetan practice, both men and women practice Green Tara. They invoke that principle from outside, and evoke it from the inside.

Since we have trouble relating to the pure unseen principle/archetype, we use image (a beautiful green lady), archetypal sound (mantra), and even smell (incense).

Coming Awake Green Tara

Image courtesy of Osel Shen Phen Ling: www.fpmt-osel.org.

We all tend to have internal conversations and dramas with people. But in this case, the setup for our connection with Green Tara is perfectly designed to give us a much more profound, powerful, and enlightened experience than, say, imagining calling our earthly mom on the phone.

Though our mom is just a human being, with faults and foibles, Green Tara is the image that naturally evokes the perfect facet of enlightened mind that is the essence of the mother principle.

The classic progression is that we consciously project Tara out from our hearts, where Tibetan Buddhists believe our mind mainly resides. We project her above us, seeing her clearly in our mind’s eye. 

We do this by inviting her, welcoming her, asking her to sit, offering her water, flowers. Then we say the mantra associated with her: Om tarey tuttarey turey soha.

Often we then imagine her descending into us, dissolving into us, becoming indistinguishable from us. We emerge as Tara ourselves, grounding ever more strongly in the owning of that pure archetype.

COMMUNICATING WITH ARCHETYPES: HAYAGRIVA

Let’s take Fred, for an imaginary example. He thinks of himself as a Mr. Nice Guy.

This means that when people want to walk all over him, he doesn’t have the wherewithal, in his conscious array of characters, to assert himself. His Tough Guy or Warrior is in the basement. It’s been lurking there all his life, and isn’t very presentable, as a result.

Whenever Fred gets cornered he suddenly bites the person’s head off … then regrets it later, and may not even get what he needs. Martha Beck refers to this as an “exploding doormat.”

Fred might do well to practice Hayagriva, a fierce, enlightened being of a class known as protectors. They can act with great ferocity, but always with wisdom and compassion.

Coming Awake Hayagriva 2

Magdalena Rehova / Alamy Stock Photo

If Fred were to inhabit Hayagriva the way we talked of inhabiting/owning Tara, he would find his way to the pure essence of that murky, funky character who popped out when he exploded. Once he’d spent time owning and inhabiting Hayagriva Fred is much more likely to skillfully, kindly, and firmly ward off people walking all over him.

Whether it’s a peaceful one like Tara or a more wrathful one like Hayagriva, we must fully own the archetype. It has gone from something we can’t see or feel, to a pure presence that we fully identify with.

COMMUNICATING WITH OURSELVES

Over time, as we get used to owning these presences consciously, we have little need to project it onto someone else. And in owning this purer form, we can often bring forth those qualities in everyday life. They’re much more at our fingertips.

In Tibetan Buddhist deity practice, the goal is to take us from our usual, banal and confused state, to dak-nang, or pure vision—seeing things as they really are.

Imagine if everyone did such well-honed practices, on a lot of different deities. I believe we would then be able to take the various characters out of our basements, develop them, and “play” them in various moments in life.

Playing with a full deck, you might say!

A CULTURE COMING AWAKE

Coming Awake Ocean Culture

Reality is a vast, perfect ocean that loves to create ever-changing waves and play with them. This ocean is bursting, overflowing with love and joy. But most of us waves don’t see it that way.

The essential intent of the Buddha is to use practices to wake ourselves from the dream/trance we find ourselves in. “Buddha” means one who is awake.

We don’t realize that we’re not just a wave, but made of ocean. We are all both wave and ocean.

COMMUNICATING WITH LIKE-MINDED PEOPLE

Imagine if a critical mass of people became fluent in these skills and capacities, bringing us closer together in camaraderie rather than causing us to build walls of protection and projection against each other.

Imagine less of a need to blame others for our own issues. Less excuses to act snotty and selfish and ignorant and even rageful. How different this world would be.

I believe this is something we all must do to solve the problems that now threaten our happiness and our very existence. We must progress from the swarm of projections, both societal and personal, which cause such pain, to really seeing each other.

Then we could all relax our defenses—because those projections feel terrible—and we could work together to solve the dire problems we’re all actually facing together.

Beyond even that, we’d find that human relations can be much simpler than we thought! They can feel deeply connected, warm, and delicious. We can be seen in our full light.

* * *

In our Namchak Learning Circles, we encourage people to awaken to their unconscious selves. We offer a weekend training in working on projections, in which we learn not only about projections but about how to work compassionately and skillfully to talk about them with each other. As you have probably gathered, that last part is important!

ABOUT THE AUTHOR

Lama Tsomo Author Photo

Lama Tsomo is a spiritual teacher, author and co-founder of the Namchak Foundation and Namchak Retreat Ranch

Born Linda Pritzker, Lama Tsomo followed a path of spiritual inquiry and study that ultimately led to her ordination as one of the few female American lamas in Tibetan Buddhism. 

Today, she works to share the teachings of the Namchak tradition, a branch of Tibetan Buddhism. Utilizing her psychology background, Lama Tsomo works to make it easier for Westerners to bridge contemplative practice and modern life. She is particularly passionate about reaching young people and supporting those working for positive social change. 

Fascinated by science from an early age, Lama Tsomo’s teachings often reference the science behind meditation and the proven neurological impact. She holds an M.A. in Counseling Psychology and is the author of Why Is the Dalai Lama Always Smiling? An Introduction and Guide to Tibetan Buddhist Practice and co-author of The Lotus & the Rose: A Conversation Between Tibetan Buddhism & Mystical Christianity.

How to Be Seen, Really Seen, in Front of a Camera

Feeling vulnerable, exposed, or uncomfortable in front of a camera is perfectly normal. While we might pose confidently, it isn’t uncommon to be wondering what others will see about us. Why are we so frightened?

Underneath our fear of being criticized, we are afraid of truly emanating from our cores—of sharing our brilliant and unique essence.

The problem is that we don’t know how to be seen.

WHAT ARE YOU HIDING?

The first thought that comes to my mind when considering this question is the well-known passage from Marianne Williamson entitled, “Our Deepest Fear.”’

“Our deepest fear is not that we are inadequate.
 Our deepest fear is that we are powerful beyond measure. It is our light, not our darkness, that most frightens us. We ask ourselves, Who am I to be brilliant, gorgeous, handsome, talented and fabulous? Actually, who are you not to be?
 You are a child of God.
 Your playing small does not serve the world.
 There is nothing enlightened about shrinking 
so that other people won’t feel insecure around you. We are all meant to shine, as children do.
 We were born to make manifest the glory of God within us. It is not just in some; it is in everyone.
 And, as we let our own light shine, we consciously give other people permission to do the same.
 As we are liberated from our fear,
 our presence automatically liberates others.”

—Marianne Williamson

Here’s what I take from this: When we let our own unique light shine, we can begin to understand our own truth.

The act of expression gives others permission to release their own inhibitions. Whether I’m in a session with someone, or out in the world, I am constantly reminded of this.


WHAT DOES IT MEAN TO BE SEEN?

Whether we’re pointing it at a person, a landscape or a building, a camera can reveal the truth. So—isn’t it time that you allow the camera to be your friend? What if the camera’s deepest desire is for you to be fully seen as the magnificent, radiant, talented and perfect person that you really are?

Perhaps you’d begin to regard the camera as an opportunity to be seen. Whether it’s by an intimate partner, our boss or the checkout person at the supermarket, being seen can make an entire day brighter. We all wish to be authentically recognized for our uniqueness; we all wish to be loved, just the way that we are.

Imagine how fearless you’d feel if, in every moment and throughout every situation in your life, you knew without a shadow of a doubt that every person you met fully saw your unique gifts, saw your wholeness. The floodgates would open and you’d be unstoppable. There would be no limiting thoughts in your awareness because you’d know that everyone truly sees and supports your grandest expression!

When we are present in our true spirit, nothing can break it. And what better way to practice that than by doing so in front of a camera? Stare at the lens and imagine it’s  reflecting love, praise and devotion back to you. Imagine it’s the inside of your heart, winking at you. That may sound like a stretch, but it sure beats resisting the process every time. Take the exciting opportunity to be seen—really seen—in front of the camera.

ABOUT THE AUTHOR: CARL STUDNA



Author Photo Carl Studna How to Be Seen

Carl Studna is a world-renowned photographer and videographer, inspirational
speaker, teacher and multi-award-winning au
thor of the books CLICK! Choosing Love…One Frame at a Time and Evolution of Loving.

Over the past 30 years, Carl has been assigned all over the world to shoot CD and album covers, book covers, and other publicity platforms for musicians, teachers and authors such as Paul McCartney, George Harrison, James Brown, Jefferson Airplane, Eric Clapton, Elton John, Genesis, Kenny Loggins, His Holiness the Dalai Lama, Deepak Chopra, Tom Robbins, Ram Dass, Marianne Williamson and John Bradshaw, and his work has appeared in many prominent magazines, including Rolling Stone, Musician, Time and USA Today.

Carl received his Bachelor of Arts degree in Expressive Arts from Sonoma State University and his Masters degree in Spiritual Psychology from the University of Santa Monica, and is also a member of the esteemed Transformational Leadership Council, a group of leaders of personal and organizational transformation who support one another in their contributions to the world.

Click here to join a free video event with Carl Studna!

 

Meet Your Subtle Body: Discover Cyndi Dale’s 12-Chakra System

Meet Your Subtle Body Header Image

 

“I think [the 12-chakra system] is a good compilation to get us going so that we can be the entirety of the human that we are—the human divine being that we are.”

 

—Cyndi Dale

As seekers, instead of following set rules, we may set out to discover routes that feel uniquely true and right for us.

Cyndi Dale, a luminary writer on the subtle body and its connection to the physical world, works with a unique 12-chakra system in her healing practice.

Cyndi’s 12-chakra vision helps her pinpoint feelings and where wounds are emanating from the invisible, spiritual self.

Chakras Infographic

from Enlightened Energetics

WHAT IS THE SUBTLE BODY?

Each of us have both a physical body and a subtle body. The physical is what we think of normally: our shape, our volume, and that which we can touch. The subtle body arises from a different place: the intuition. 

The subtle body seems to be some sort of underground pathway for our physical one. It is invisible not because it doesn’t exist, but because it’s sub-observable to the five senses we normally use. I might even argue that she sees the intuition as the 6th sense, and that the creative nature of our spirits gives us the ability to wield this power for healing.

Just like quantum physicists are starting to say, our world (or, at least, some dimension of our world) is not physical at all, but actually consists of “immaterial energy waves.” These waves somehow come together and entangle to create the material world.

As I listened to Cyndi’s interview with Tami, I was struck by the idea that healers like her use the subtle body every day. In the interview, she really helps you comprehend how that’s possible by guiding you through an exercise that’s less about understanding and way more about feeling. (It made me whisper, “whoa!” out loud.)

Here’s an exercise from that part of the interview if you want to try it:

Rub your hands together until you create some friction, and then put your hands palms facing each other about three or four inches apart. You’ll feel that there’s still an energy in between those hands—because there’s chakras in the hands and because there’s fields of energy emanating from the hands.

If you start patting your hands, not touching them, but kind of patting that energy ball. Again, you can bring your consciousness into your hands and pour more energy into that ball that’s being created. All of a sudden, you’re going to feel like your hands are moving farther away from each other. If you turn the spigot down, your hands—in order to feel that friction or the energy between them—are going to move closer together. Then a really fun thing to do is imagine or turn that energy red—it’s not clear anymore; it’s red—and get a sense of how that red energy field can have a certain reaction to red, especially in comparison to blue . . . as we’re now going to turn that energy blue. It’s really different, isn’t it?

About energy workers and healers she says: “They’re consciously kind of deciding what type of energy might be useful, what might be helpful for them, for somebody else, and they’re sending that.” 

THE 12-CHAKRA SYSTEM

According to Cyndi, the western tradition of the 7-chakra system is based on a book by Sir Arthur Avalon. 

Chakras are eddies of light and sound. They interact, dance, rotate and orbit us like our very own planets.

7 Chakras Infographicfrom MindBodyGreen

THE 12 CHAKRAS

1. Root

The root chakra is about spirituality, purpose and connection, as well as our relationship to Mother Nature and the Earth. It is associated with the underlying structures (both intuitive and ordered) of our minds. It is associated with pheremones and our sense of smell

2. Sacral

This is a chakra of motion and flow, representing the water element in the body. It bears a relationship to reproduction and fertility, joy and desire, and the kind of rest that encourages immune system recovery. It is associated with our sense of taste.

3. Solar Plexus

The solar plexus is a fiery center for our unique powers and gifts. When it’s in balance, we can feel like our lives are autonomous and in harmony with our value system. It helps define the energy that guides our motivations, disposition and mood, and it expands our idea of what’s possible when we are inspired by it.

4. Heart 

The heart chakra is related to our personal and romantic relationships. When it is in balance, we might be immersed in feelings of joy and real freedom. It is strengthened through trust, non-manipulative communication, and authentic respect for ourselves and others. It is also strengthened by the exploration and implementation of personal boundaries. With the heart, we send and receive our gifts.

5. Throat 

Here is our center for speaking and listening. The throat enables expression and facilitates spiritual dawnings of both rational and emotional understanding. Balancing the throat chakra can help prevent burnout. If you have writer’s block, it can be helpful to check with this chakra.

6. Third Eye

The third eye is associated with the pineal gland and rules telepathic ability. A vortex of sublimation, it is empowered by critical thinking, especially when we seek to release fear and guilt. Through the third eye, we can become more lucid, deepening our understanding that duality is an illusion. Opening it helps us to understand symbols and receive messages in both dreams and waking life.

7. Crown

The crown chakra is related to your nervous system and brain. Tap into its power by becoming present in the body through meditation, visualization and relaxation. It can look like a circle of light around your head, and is an expansion into space where you connect with the rest of the universe. It is related to transcendence & wisdom.

8. Soul/Shaman

Located a few inches above the head, this chakra encompasses past lives and your memories of other dimensions. From Cyndi’s description, it is a beautiful, mysterious chakra that connects our physical body to our soul’s experience in its totality. It empowers our ability to transcend spacetime and engage with “the sphere of potentialities in the making.” When it’s in harmony, it becomes easier to communicate with beings in other realms, like your spirit guides.

9. Luminary

This chakra is about an arm’s length above the top of your head. Lift your hand all the way up to connect with where it is. Cyndi sees this chakra as gold, related to our connection to the divine. It is the space of the greater spirit, the “seat of the soul,” which can act as a doorway into your divine self and your archetypal patternings.

10. Earth

This chakra blooms from beneath your feet. It is how your body connects to the earth, a cord that goes through the legs and feet into the ground. It is associated with nature and the cosmos in their simple essence, and the memories that arise from it can be related to ancestral lessons and inherited traumas. Substantial healing can arise from relationship with this chakra.

11. Supernatural

This chakra is “actually around the body. It’s like this lovely rose film, like way out in our energy field, but it’s collected around the hands and the feet.” Through this chakra, you can discover your inherent connection with both natural and supernatural forces. In this part of the interview, Cyndi mentions that chakras are located in multiple dimensions, existing in different places at the same time. She observes this chakra, which is responsible for our ability to move energy, as energy balls around the hands and feet.

12. Auric

This chakra surrounds the auric field of the body like a halo. Cyndi says, “I think of [it] as the outer bounds of our own unique essence or our own spirit.” She emphasizes the uniqueness of this chakra—its defining characteristic is you, and your individual purpose as a spiritual being. There is a connection between this chakra and the ability to envision, create and become, alongside the truth of universal unity.

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Listen to Tami’s full interview with Cyndi Dale here on Insights at the Edge.

 

ABOUT CYNDI

Cyndi Dale is an internationally renowned author, speaker, intuitive healer, and visionary who has taught thousands of students to access their spiritual gifts through her books and workshops. She has authored several groundbreaking books and audio programs on energy healing and the chakras, including The Subtle Body, The Subtle Body Practice Manual, Advanced Chakra Healing, Energy Clearing, Attracting Prosperity Through the Chakras, and New Chakra Healing. Her work has been translated into nine languages.

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ABOUT THE AUTHOR

When she isn’t writing poetry or music, Dani Ferrara blogs for Sounds True and seeks to learn more about healing alchemy. Learn more about her art at daniferrarapoet.com.

Bigger Isn’t Always Better (and Other Cultural Myths)

Bigger Isn't Always BetterSome of our beliefs aren’t even ours. Like old wives’ tales passed down through generations or reflected back to us through society, we inherited certain cultural and familial narratives, adopted them, and left them unquestioned as “Truth.” Sometimes these inherited narratives and beliefs manifest as unquestioned traditions. For example, when making the Thanksgiving turkey, my friend’s mother always cut the breast of the bird off and roasted it separately. This process was embedded in my friend’s view of “how to cook a turkey.” When she moved to New York and began hosting her own Thanksgivings, she also sliced the top off the turkey and cooked it separately. Naturally. 

One year a guest asked her why she didn’t cook the turkey whole, which got her to thinking. She didn’t actually know why. It’s just the way it had always been done. So she called her mother to ask about the tradition: Why do we cut the tops off our turkeys? Her mother replied that she had always taken the top off because her mother had always taken the top off; it’s just the way she had learned how to cook a turkey. Naturally curious as to where this learned behavior all began, her mother called her mother, my acquaintance’s grandmother, and asked: Why do we cut the tops off our turkeys?

The grandmother, stumped, thought for a long, hard minute. “Oh,” she remembered, “the oven in my very first apartment was too small to fit an entire turkey, so I had to cook it with the top cut off.” Sixty years later, in a city across the country, my acquaintance was still cooking turkeys as a result of an oven that was too small. This is how inherited narrative works.

Here are some of the narratives that I inherited over the years, in order from most helpful to least: You can be anything that you want to be. Money isn’t very important. It is what it is, and it can’t be changed. Men prefer pretty over smart. Asking for help means you’re weak and needy. These are the ones that I’ve managed to tease out; I’m sure there are plenty more operating in the background that I can’t see.

Part of developing a wholesome or Beneficial View is identifying the stories that we live by, where they came from, and, perhaps most importantly, whether or not they are helpful on the path of waking up to our worthiness. Shariputra, one of the Buddha’s chief disciples, described Beneficial View as the practice of identifying which of our views spring from beneficial beliefs and which spring from harmful beliefs, and then choosing which to nourish and cultivate. Sometimes this also means looking at the views of the culture that we live in.

A few times every year, I host group coaching programs for a rather large online training institute with a global reach, drawing students from a dozen countries, primarily women of varying ages. These groups offer an encouraging environment in which we can speak openly about our fears and hesitations. Over the past decade, working as a coach has revealed to me just how many of us feel a chronic sense of falling behind and a nagging suspicion that we’re not quite _________ enough. You can fill in the blank here with your own particular flavor of not-enough-ness. Not educated enough, smart enough, good-looking enough, likable enough, thin enough . . . You get the picture. A consistent element of these groups has been a gobsmacking number of women sharing that they view their capabilities as insufficient or lacking. Sometimes this feeling extends to the way that they view themselves as people. It’s said that if one fish washes up on the shore, the scientist will call it what it is: a dead fish. Nothing of note, really. However, if hundreds of fish wash up on the shore, the biologist won’t look to the fish for answers. They’ll test the water that the fish are swimming in. So what’s up with the water that we all seem to be swimming in?

In the Western hemisphere, there is a deeply embedded narrative of scarcity that is nearly invisible. I don’t know about you, but I clearly remember playing the childhood game of musical chairs. It begins as a cheerful romp around the circle, with kids squealing and running to nab a chair once the music stops. As the game progresses, however, the stakes get higher. The chairs begin to disappear. The slowest, smallest, and most accommodating kids get disqualified. And the fastest, most aggressive kids advance amidst the dwindling resource of chairs. Good, clean childhood fun. Also, a wonderful way to implicitly teach kids this prevailing myth of scarcity: There is simply not enough to go around. And you better get yours before someone else takes it.

Author, activist, and fund-raiser Lynne Twist illustrates this phenomenon exquisitely in her book The Soul of Money. She likens the scarcity narrative to a “helmet” of insufficiency that we wear throughout our day that flavors every interaction we have. For example, our first thought when getting up in the morning tends to be I didn’t get enough sleep. As we get ready for the day, we think, I don’t have enough to wear, I don’t have enough time, I don’t have enough room on the subway, I don’t have enough help to get this job done well, There aren’t enough good men or women on Tinder, I don’t have enough energy to meet up with my friends, and then our final thought before falling asleep is I didn’t get enough done. This view of not having enough is truly pervasive. It’s no wonder that the women I’ve worked with consistently communicate that they don’t feel like they can live up to their own, or society’s, expectations.

Even if we try to address the messages we might tell ourselves about what we have and don’t have, we can’t avoid them altogether. I was riding the subway to Brooklyn one day when a father and his daughter, who was all of five or six years old, entered the train and stood toward the center of the car. She was chatting to her dad about her day at school until one of the many subway ads caught her eye. In it, there were two juxtaposed photos of a blonde woman. In one photo, the woman was frowning while holding a lemon in each hand, which were hovering at chest height. In the other, she was holding two grapefruits, also at chest height, but she was grinning. “Dad, why is she happy in that one and sad in that one?” the girl asked, pointing to the ad for breast augmentation. I swear the entire subway car went silent in anticipation of how her father would respond. He awkwardly and skillfully lobbed the question back to his daughter. “Well . . . what do you think?” The girl waited a beat and then answered, “She’s happy there because she has big ones and sad there because she has small ones.”

Clearly she had understood the message this poster was communicating to us all: a message of scarcity, insufficiency, and how one might always be “better.” And in that instant I understood how conditioning works. Hello, demon of self-doubt. Just like the fish in the ocean, we’re bound to swallow the water that we swim in. When considering what it means to develop Beneficial View, and the view of our own worthiness, it can be helpful to identify why we might not feel worthy to begin with. If our cultural perspective is rooted in the myth of “not enough,” it would logically follow that we would inherit this not-so-beneficial view of ourselves. Through looking at our own mind in meditation practice, we begin to take stock of the stories and beliefs that are not serving us, unraveling this myth of “not enough,” and revealing the Beneficial View of our innate wholeness and worth.

This is an excerpt from Tea and Cake with Demons: A Buddhist Guide to Feeling Worthy by Adreanna Limbach.Tea and Cake with Demons

Adreanna LimbachAdreanna Limbach is a personal coach and a lead meditation instructor at MNDFL, NYC’s premier drop-in meditation studio. Her teachings have been featured in the New York Times, Women’s Health, and Refinery29. She lives in New York City. For more, visit adreannalimbach.com.

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